Monday, 23 January 2017

Drama and Theatre Studies and Employability Skills Workshop (24th Jan 2017)


1. What do you want to do when you leave Long Road

2. What do you want to do as a career

3. What skills do you think you will need to do those things?



 4.  With the person sitting next to you write a list of the skills you have gained or developed by studying Drama and Theatre Studies



Together work out how the answers given for question 4 will help you achieve your goals from questions 1/2?





What are Higher Order Thinking Skills?

Image result for higher order thinking skills


What are Employability Skills?


"Employability skills are those basic skills necessary for getting, keeping, and doing well on a job.

These are the skills, attitudes and actions that enable employees to get along with their colleagues and managers and to make sound, critical decisions.

Unlike occupational or technical skills, employability skills are generic in nature rather than job specific and cut across all industry types, business sizees, and job levels from the entry-level worker to the senior-most position.

What specifically are those skills, attitudes and actions, i.e., employability skills, necessary for getting, keeping, and doing well on a job? Employability skills, while categorised in many different ways, are generally divided into three skill sets:

Basic Academic Skills
Reading · Writing · Science · Math · Oral Communication · Listening

Higher-Order Thinking Skills
Learning · Reasoning · Thinking Creatively · Decisions Making · Problem Solving ·

Personal Qualities
Responsible · Self Confidence · Self Control · Social Skills · Honest · Have Integrity · Adaptable and Flexible · Team Spirit · Punctual and Efficient · Self Directed · Good Work Attitude · Well Groomed · Cooperative · Self Motivated · Self Management"

http://www.foretica.org/wp-content/uploads/2016/01/employability-skills.pdf

Which skills are college leavers and graduates lacking?


A report from universitiesuk.ac.uk says 'The skills employers find most lacking in university and college leavers are a mix of job-specific and general employability related skills; a majority also cite lack of work experience.'

This report says that core skills "refers to literacy, numeracy and IT, while ‘employability’ refers to a longer list including team working, analytical skills, problem solving, communication, entrepreneurship, leadership, etc."

"The CBI/Pearson Education and Skills Survey asked employers specific questions about graduate applicants’ ‘job-readiness’, finding that 14% reported dissatisfaction with graduates’ basic numeracy skills, 17% reported dissatisfaction with basic literacy and use of English, 19% reported dissatisfaction in their analysis skills, 21% problem-solving, 26% team working, 29% communication, 33% self-management and resilience, and 46% relevant work experience."

"CBI found that between 14 and 29% of employers reported dissatisfaction with graduates’ literacy, numeracy, analysis, team working, communication, problem-solving and self-management skills. Eighty-nine per cent of employers surveyed by the CBI reported that such ‘attitudes and aptitudes’ for work were among the most important factors considered when hiring a graduate, followed by work experience (66%) and degree subject (55%)."

"Chevalier and Lindley (2007) analysed differences between graduates working in what they deemed ‘graduate’ and ‘non-graduate’ jobs, and found little difference in academic skills, but ‘large differences’ in ‘entrepreneurial, management and leadership’ skills – where there was an association between lacking these skills and falling into a non-graduate job.20 Green and McIntosh (2007) point to planning, problem-solving and communication skills."

Supply and Demand for Higher Level Skills
December 2015

Why a Drama and Theatre qualification is great if you want to work in business


Why a Drama and Theatre qualification is great if you want to work in business


The article below was written by Brian Sibley

There IS no weakness in having a theatre background. There is only strength. Here are just a few skills that a theatre degree gave me that have served me enormously well in business:

You have advanced critical thinking and problem solving skills:
 taking a script and translating it into a finished production is a colossal exercise in critical thinking. 
You have to make tremendous inferences and intellectual leaps, and you have to have a keen eye for subtle clues. (believe it or not, this is a skill that very few people have as finely honed as the theatre people I know. That’s why I listed it #1).

You’re calm in a crisis: You’ve been on stage when somebody dropped a line and you had to improvise to keep the show moving with a smile on your face, in front of everyone. Your mic died in the middle of a big solo musical number. You just sang louder and didn’t skip a beat.

You understand deadlines and respect them: Opening Night is non-negotiable. Enough said.

You have an eye on audience perception: You know what will sell tickets and what will not. This is a very transferrable skill, and lots of theatre people underestimate this, because they think of theatre as an ART, and not as a BUSINESS. I frequently say (even to MBA-types) that theatre was absolutely the best business education I could have gotten. 
While the business majors were buried in their books and discussing theory, we were actually SELLING a PRODUCT to the PUBLIC. 
Most business majors can get through undergrad (and some MBA programs, even) without ever selling anything. Theatre departments are frequently the only academic departments on campus who actually sell anything to the public. Interesting, isn’t it?

You’re courageous: If you can sing “Oklahoma!” in front of 1,200 people, you can do anything.

You’re resourceful: You’ve probably produced “The Fantasticks” in a small town on a $900 budget. You know how to get a lot of value from minimal resources.

You’re a team player: You know that there are truly no small roles, only small actors. The show would fail without everyone giving their best, and even a brilliant performance by a star can be undermined by a poor supporting cast. We work together in theatre and (mostly) leave our egos at the stage door. We truly collaborate.

You’re versatile: You can probably sing, act, dance. But you can also run a sewing machine. And a table saw. And you’ve probably rewired a lighting fixture. You’ve done a sound check. You’re good with a paintbrush. You’re not afraid to get your hands dirty for the benefit of the show. In short, you know how to acquire new skills quickly.

You’re flexible: you’ve worked with some directors who inspired you. Others left you flat, but you did the work anyway. Same goes with your fellow actors, designers and stagehands… some were amazing and supportive, others were horrible and demoralizing to work with (we won’t name names). You have worked with them all. And learned a little something from every one of them.


These are the top reasons I’ve found my theatre degree to be a great background for a business career. 

Thursday, 27 October 2016

Year 1 students your half term prep is -
 
1.       Live Theatre: Ensure detailed notes are written up on Woman in Black & Pride & Prejudice in the templates provided. I have attached them again.
 
2.       AMSND: Learn lines and develop characterisation ideas considering the following –
o   Your characters emotions/objectives
o   Whether you are transposing the setting or modernising it (refer to modern adaptations including The Globe’s version)
o   Physical Skills - Using your physicality, movement, posture, eye contact
o   Vocal Skills – Tone, pace, volume, pitch, use of pauses
 
3.       Recap Commedia performance techniques. On the Servant bloghttp://servantlongroad.blogspot.co.uk/ read the post entitled – How Would You Perform The Role Of Truffaldino in this extract to make the audience laugh? In the comments box below the post write a paragraph explaining how you would perform the role of Truffaldino to make the audience laugh in the script extract given.
 
Sarah Stow
Course Team Leader for Drama and Theatre

Wednesday, 11 May 2016



Exam stress getting you down?

Exams are important, but not worth getting ill over...

Check out this campaign from MIND Cambridge 

Where to get help…

When the going gets tough, talk to an adult you trust or check out these free and confidential services for young people:

YMCA Cambridgeshire and Peterborough

T. 01733 373175
www.theymca.org.uk

Centre 33

T. 01223 316488
www.centre33.org.uk
There is also lots of useful information at www.youngminds.org.uk

And if it all gets too much…

Sometimes stress can be so overwhelming that it can lead to persistent feelings of hopelessness, despair and possibly suicide.
If you — or someone you know — are feeling very low a lot of the time and/or you are having thoughts of suicide, talk to an adult you trust as soon you can and/or contact:

HopelineUK (see details of opening hours at www.papyrus-uk.org)

T. 0800 068 41 41
pat@papyrus-uk.org
SMS. 07786 209697

Samaritans

T. 116 123 (UK Freephone, 24-hour helpline)
jo@samaritans.org
www.samaritans.org
See also www.stopsuicidepledge.org for more information.
By sharing how you're feeling, you will feel better.
Find out more at MIND Cambridge

Tuesday, 19 April 2016

Positivity Before Exams


Positivity Before Exams

Whilst you are working hard and revising, remember to be kind to yourself and realistic in your expectations 



Positive affirmations when you aren't feeling so good!


Motivation when you need a good kick!



Start the Day with Determination - 
Finish the Day with Satisfaction

Tuesday, 15 March 2016

Managing Exam Stress

7 Ways to Manage Exam Stress

7 Ways to Manage Exam Stress


  When you are dragged down into the murky depths of exam season, it can be difficult to keep track of the 'little' things: like food, sleep, exercise, when you feel under pressure to devour four books a day for sustenance, fall asleep while listening to foreign language podcasts in the hope that it'll all sink in by the time the oral exam comes around, and the only exercise you can make time for is lugging a rucksack full of textbooks up and down the library stairs.



We've all been there before, and the thing is, unless you are in your finals (good luck!), you will likely be there again. When the fog clears and you reintroduce yourself to normality, you might look back and wish you had put yourself, your health, your sanity, first a little more. So, here's some advice from BACP therapist Dawn Hastings to keep you afloat the next time the pressure's on. 

Tuesday, 1 March 2016

The Encounter - Complicite


The Encounter - Complicite

Tonight at 7.30 on youtube -

 https://www.youtube.com/watch?v=ghc-DM1TVWU

there will be a live streaming of The Encounter

http://www.complicite.org/productions/TheEncounter

which I am told is amazing!

Inspired by the book Amazon Beaming by Petru Popescu.

In 1969 Loren McIntyre, a National Geographic photographer, found himself lost among the people of the remote Javari Valley in Brazil. It was an encounter that was to change his life, bringing the limits of human consciousness into startling focus. 

Simon McBurney traces McIntyre's journey into the depths of the Amazon rainforest, incorporating innovative technology into his solo performance to build a shifting world of sound.

Visit our resource website for more information on the making of The Encounter.



Benedict Cumberbatch on The Encounter | Complicite




Monday, 22 February 2016

Invest in you

 
Invest Your Time Wisely
 
Exams are coming and how you do in your exams will help to define your next steps - I watched the video below and it really made me think about what I do and what I want to do - I hope it does the same for you!
 
 
 

Thursday, 21 January 2016

5 weeks till the Creative Adaptation mock!

5 weeks to go 

until the Creative Adaptation mock!

Please use the Long Road Creative Adaptation blog to help you with your devising process. 
It is a difficult creative process and there are so many resources to help you.
Just click!

2 weeks till Berkoff Scratch Night!

10 point Berkoff preparation checklist 
With just two weeks to go until your public performance, what else do you need to do?




  1. Costume - your should be rehearsing with costume and thinking carefully about what you costume adds to your performance and whether it is in line with Berkoffs style. Do your research
  2. Make Up - Are you using make up? Why does berkoff use make up? How long will it take to apply? Make sure you have practiced a few times before the exam
  3. Hair - Your hair must be tied back and not in your face
  4. Set - Make sure you are practicing with your set in The Stage as much as possible - Two groups can comfortably rehearse in The Stage together
  5. Tech - Have any changes to your technical requirements been sent to Graeme. You must run through you piece with all tech before the public performance. Be clear when music should start and stop, if you have lighting changes, when slides need to change on your Powerpoint presentations - remember if you are using a Powerpoint the screen should never be blank.
  6. Spacing - You must rehearse in The Stage or length ways across The Space to be sure that your spacing is right and you are not cramped or blocking one another.
  7. Voice - make sure you have a clear voice (different from your own) for all characters you play. Practice at home whenever you can
  8. Physicality - Your physicality for each character you play must be exaggerated and clear express your characters physical appearance and personality. Multi role changes should be clear
  9. Ensemble and Chorus work - This should be tightly choreographed and you must know exactly what you are doing and when. Work to clear timings even counting your way through movement sequences.
  10. Rehearsals - make sure your rehearsals are productive by setting clear goals for every rehearsal. Make sure you are fed and watered, your phones and other distractions are out of sight and that you are as ready to work

Tuesday, 12 January 2016

AS Drama Berkoff Mock Exam


AS Drama and Theatre Studies
Mock Exam Timetable
14th Jan 2016
Group
Get In
Performance
Get Out
Greek

10.40
10.50
11.20-11.30
Brighton Beach

11.30
11.40
12.15 – 12.25
Q Dahling

1.05
1.15
1.55-2.05
S Dahling

2.35
2.45
3.25-3.35
S West

3.35
3.45
4.25-4.35